Brewing Up a Coffee Themed Infographic

What makes an eye catching infographic captivating? How do you approach a layout packed full of info without overwhelming your reader?

I started this infographic design during the peak of a caffeine buzz. It was my way of teaching my Aunt and Uncle how to use their new Aeropress. I’ve made a number of infographics over this past year for both clients and personal projects and found a few consistent principles that remain true. In this post I’ll dive into my process and discuss key topics like, choice in reference, the blockout phase, guiding the reader’s eye, and style.

 

Reference

During the concept phase, I envisioned a recipe in a handwritten journal with a limited color palette and sketchy illustrations. After spending a few, too many, hours scrolling through Pinterest, I came across work from artists like Rebecca Blair, Eva-Lotta Lamm, Samuel Taylor. I was drawn to Rebecca Blair’s use of typography and hierarchy etched into her moleskin journals. Eva-Lotta Lamm specializes in conveying complex ideas through sketching. She also tends to use a limited color palette. I was also inspired by the cute, whimsical style of Samuel Taylor’s adorable D&D illustrations. After taking some reference photos of my own Aeropress, I was ready to start sketching.

 

Sketch it Out, Block it Out

I wrote down each step of the brewing process and began sketching out my thoughts. I can’t stress enough how important it is to sketch out your ideas. I made a fatal mistake in the early stages of this infographic. I had sketched out a few individual elements, like the blooming flower, but I forgot to sketch the most important part, the actual layout. Getting ahead of myself, I eagerly jumped into Illustrator. It wasn’t long before I felt I had lost direction. After getting helpful input from my partner, I went back to pencil and paper to establish a solid block out. I wanted my Aeropress guide to have an organic feel. So, I stuck with round, fluid silhouettes. The left side has a sunrise theme and the right feels more like spilled coffee and mugs.

 

Guiding the Reader’s Eye

Blocking out the silhouettes helps plan a solid composition. When laying out an infographic, hierarchy, rhythm and movement, and white space have been my guiding forces. I went with orange, a vibrant and energetic color, to grab the viewer’s attention and serve as a visual cue for where to look next. I also established a sense of movement by creating consistent lines of action for both pages. If I’ve done my job right, the audience will instinctually follow these lines of action to the next group of info.

 

Stylized Consistency

The style you choose will set the tone of the infographic. The design to the left was completed for Oikocredit US. The content and tone for this project differs greatly from my Aeropress guide. The corporate feel comes from the on brand color palette and orderly layout. If I had mixed Oikocredit’s color palette into the Aeropress guide, everything would start to feel off, even to the untrained eye.

The guide really came together after I found a crayon brush pack by Spoon Graphics. I highly recommend trying them out for yourself. To ensure my design was consistent, I used the same family of strokes and fonts for each element. If you stray too far from the established style, different elements of the piece will begin to feel unrelated.

TL;DR

Always look for reference that successfully implements the elements you want to capture in your final piece. Remember to sketch and block out everything, especially your layout. Keep the fundamental principles of design in mind and pay special attention to hierarchy, rhythm and movement, and white space to effectively guide the reader’s eye. Last, but not least, stick to a consistent style to ensure everything feels related to the larger piece as a whole.

 

Painting Everyday for a Year (Almost)

On December 31st, 2019, I made a new year's resolution to paint every single day of 2020. What stared off as a seemingly inconsequential party with some wine moms, ended up being a year long commitment…I honestly felt a bit lost and wanted fill my time something productive and positive. So I turned to Bob Ross, the most positive force in this world.

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Surface Pro 4 Experience

I had a wonderful opportunity to work with Sean Ong on a fun project. Sean Ong has a YouTube channel where he reviews tech and offers tips and tricks for the Microsoft Surface. Sean is an enthusiastic YouTuber that is sure to get anyone watching his videos excited about the devices he works with. His reviews are engaging and easy to follow. It was a pleasure working with him.

I reached out to Sean offering my services after finding his listing asking for help with his latest video project. Sean needed to demonstrate the capabilities of the Surface Pro 4 and Digitizer Pen in the hands of a digital artist. We agreed to meet and record a digital painting session using Photoshop.

See an awesome painting created in Photoshop on the Surface Pro 4! In this video, I show the SP4 Pen in action! Some call it a digitizer and others call it a stylus, but this pen is truly amazing.

I have been working with Wacom Intuos Tablets since I first started working digitally and have not had a chance to really work with other digital painting tools. I have recently been considering investing in a tablet in the future to work with my clients away from home. Naturally, I was eager to try out the Surface Pro 4 and digitizer pen to see if this set up might work for my business and personal needs.

The first thing I noticed while using the Digitizer Pen was that the pressure sensitivity exceeded my expectations. I began painting as I normally would and expected to have problems with resting my hand on the touch screen. I was pleasantly surprised to find that this was not an issue. The biggest obstacle seemed to be working around my personal workflow habits. I normally have my Intuos tablet buttons set up with specific hotkeys such as, undo, the brush tool, and the eyedropper tool. It took me a little while to get into the new workflow set up, but with a little time I can easily see myself getting comfortable and adjusting my workflow accordingly.

The only time I noticed any accuracy problems with the pen point was while using the eyedropper tool to select colors. You will see in the video that I often select the wrong color and continue painting thinking that I have the correct color selected. This resulted in some muddy looking parts in my blending techniques. I feel if I had more time to dedicate to playing with this set up I may have been able find a work around. The next hurdle I noticed was that the accuracy with the eraser end of the pen was less accurate than the pen tip. I loved the feel of eraser because it had the rubbery grip of a real eraser but the accuracy was just not where I needed it to be to use efficiently. I opted to use the pen tip switching between the brush tool and eraser tool.

This is the peice I completed for Sean during the digital painting session.. 

This is the peice I completed for Sean during the digital painting session..
 

Over all, I had a very positive experience with the Surface Pro 4 and Digitizer Pen. I told Sean that I was even considering investing in this set up when I am ready to purchase a tablet. I want to thank Sean for having me. It was a pleasure working with him I encourage everyone to check out his YouTube channel and subscribe to catch all of his latest videos.